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Pele deLappe came home to San Francisco in the midst of the 1934
maritime strike. She was 18, back from art school in New York,
and she walked the picket line, raised money for the strikers,
drew cartoons for the union newsletter, and got arrested.
After the strike, in 1935, she painted a series of eight
portraits of longshore workers, seven of them available for
view here. They were intended to be used in a mural, though
the mural was never completed.
The subjects were rank-and-file union members just recently
back to work after the '34 strike. "The call went out to
the hiring hall," according to deLappe, "and they
came to my studio on Washington and Montgomery. It took me
about a day to do each portrait." The men came in after
work or during their lunch hour to sit for the portraits. Some
of them were seamen, some longshoremen, and although we do not
know their names, deLappe commented in later years: "My
hope is that people who see the pictures might recognize them
as relatives."
The portraits, recently restored and framed for the first time
by the union, now hang in the International Longshore and
Warehouse Union headquarters, testimony to the union's
commitment to display art by and about workers.
Photographs of artwork are by Richard Bermack,2004.
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